Donald Goodes - Publications & Lectures


	P U B L I C A T I O N S & L E C T U R E S

"Bathroom Stories"

Text

In Mirjam Schaub, Janet Cardiff: The Walk Book, Art Contemporary and Public Art Fund, 2005, p. 255-256.

"The Social Role of Art: The peaceful co-existence of multiple subjective positions"

Public tribune and illustrated lecture

Mind the Gap, QUAM 2005 (Quinzena d'Art de Montesquiu - Forenight of Art of Montesquiu), Vic, Spain, July 16, 2005.

"How to Make Art in 2004"

An illustrated lecture

University of Manitoba, University of Lethbridge and Alberta College of Art and Design, November 2003- April 2004.

"Sunday Installation Artist Profile no. 2: Hannie's Anti-Ad Public-Address Installation"

A fictional photo essay (photos: Paul Litherland)

Anthony Kiendl (ed.), Obsession, Compulsion, Collection: On Objects, Display Culture, and Interpretation, The Banff Curatorial Institute, The Banff Centre Press, 2003, pp. 359-370.

"Designed Installations: A collection in progress"

Panel discussion The Ephemeral Collection: Collecting the Immaterial Object with Joan Borsa, Jamelie Hassan and Jens Hoffman

Obsession, Compulsion, Collection: A Symposium on Objects, Display Culture and Interpretation, The Banff International Curatorial Institute, May 6 to 10, 2003.

"Weekend Installation Artists Projects no. 148: Lucia's No-Logo Installation"

A fictional photo essay (photos: Paul Litherland)

en el lado de la television (In the Side of Television exhibition catalogue), Espai d'art contemporani de Castello, 2002, p. 149-153. (In Spanish, Catalan and English)

"Amazing, Powerful, Provocative... Pathetic, Disgusting, Waste: Diana Thorneycroft's Monstrance Town Hall Meeting"

An interpretive resume of an open forum on controversial art works, with original drawings

Dianna Thorneycroft: RE/Monstrance, St. Norbert Cultural Centre, 2001, p. 36 - 47.

"Methodology for Cultural Web Design (CDM)"

Mini-workshop

Museums and the Web 2001, Seattle, March 16, 2001.

"Web Application Design Methodology"

Invited lecturer

Design for Interactive Media, Concordia University, October 24, 2000.

"Thinking: Aesthetics, Architecture and Ambience"

Panel Discussion "Interaction Effects ... Interaction Affects" with Jim Spadaccini, Peter Samis, Susie Wise and Franca Garzotto

Museums and the Web 2000, Minneapolis, April 17, 2000.

"L'art actuel peut-il rejoindre le grand public?"

Panel Discussion with M. Hakim, M.L. Arsenault, J.F. Blais, N. Reeves, H. Abdalian, V. Bellemare Brière and J. Mathieu (moderator)

l'Art qui fait boum!, Marché Bonsecours, April 11, 2000.

"Ficto-criticism: Fantasy, Desire and the Everyday in the Practice of Writing Art"

Panel Discussion with Bruce Grenville and Jeanne Randolph, Allyson Clay (moderator)

University Art Association of Canada Annual Conference 1999, Ontario College of Art, November 5, 1999.

"The path of my Errant Criticism"

Essay

So To Speak, Artext, 1999.

"Donald Goodes, Dangerous Suburban Videos"

Interview by Blair Marten

Poolside, Fall, 1999, p. 37-39.

"In-situ: Panique au Faubourg"

Short feature

Canadian Art, Fall, 1997.

"Beyond Complacent Criticism"

Public lecture & video screening

University of Cincinnati, June 5, 1997.

"D to D and Back Again"

Interview with Doug Sigurdson

Cube, no. 2, March 1997, p. 4.

"Going to the Dogs"

Exhibition review Les Contes de Fay, William Wegman

The Globe & Mail, Saturday, February 8, 1997.

"Complacent Criticism"

Critical Manifesto

Still, no. 3, 1996, p. 1-3.

"Paradigm Lost: Downloading the Ethics of Technology"

Review of the 1995 International Symposium on Electronic Art

Border Crossings, vol. 15, no. 1, Winter 1996.

"Charcoal and Pearls"

Exhibition Review: Nadine Norman and Regan Morris

ETC Montreal, no. 32, December 1995-February 1996.

"Will the Gallery Never Go Away? Then Neither Will the Site-Specific: My Further Initiation into The Mainstream"

Essay

in Résidences 1982-1993: Chambres d'hôtel, la chambre blanche, 1995, p. 164-175.

"Infected Accommodation: The wedding of disease, normality and us"

Analysis of installation by Mario Scattoloni (Co-authored with the artist)

in Résidences 1982-1993: Chambres d'hôtel, la chambre blanche, 1995, p. 231-234.

"Project Access: Assessment and Analysis of the Dunlop's Gallery-Host Program"

Research report

The Dunlop Art Gallery, December, 1994, 46 pp.

"Comfort in Defense: Inadvertently Maintaining the Art-World Status Quo"

Lecture with accompaniment by cellist Blair Lofgren

Saskatchewan Art Education Symposium, Regina, October 29, 1994.

"Les Publics de l'art actuel: Vous autres? (une rencontre interactive)"

Lecture and discussion

Le Symposium de la jeune peinture, Baie-St-Paul, August 27, 1994.

"Taking Sides--Developing a Voice in Art Criticism"

Illustrated lecture

Dunlop Art Gallery, Regina, March 1, 1994.

In Hour Magazine, 1993:

"Bringing the Dam Home"

(Whapmogoostui: Grand Balaine, group show), February 4-10.

"The Art of Pain Relief"

(B. Burns, Analgesia), Feb. 6-10.

"Rented Space"

(Lyne Lapointe and Martha Fleming), Eat Me, Drink Me, Love Me, February 17-23.

"Man of Flowers"

(Mike MacDonald, Secret Flowers), March 4-10.

"Displacements"

(Indira Nair, En Transit), March 18-24.

"Speaking of Art"

(P. Lamarche and M. Vandersdal), March 25-31.

"Sacred Art"

(Theme: Montreal churches as installation art), April. 1-7.

"Storefront Art"

(D. Blatherwick, Figures Greffées and E. Simon, Rigor Mortis),April 15-21.

"Anglo Art"

(The Constitution of a Nation, group show) April 22-28.

"Taking Up Space"

(M. Scott, You More Than You and N. Tenaff, Fifties Product), May 13-19.

"Beaus and Arrows"

(J. Walton, Regarder sans voir and M. Fabijan, Translations, My Hat Has 3-Holes), May 20-26.

"Urban Energy"

(Robert Prenovault, Territoires simultanés), June 3-9.

"If art were..."

(1993 in review), December 23-January 5.

"Chambres d'hôtel"

Exhibition review

C Magazine, Summer 1993, p. 54-55.

"Looking For Justice: Not lying, but speaking the truth"

Catalogue essay

In Jeff Funnell: Notes From the Inquest, Southern Alberta Art Gallery, 1992, p. 7-15.

"L'art n'est pas pour tout le monde mais il pourrait être pour beaucoup plus de monde"

Presentation for panel: The Educational Role of Galleries

Entrée libre à l'art contemporain, Montréal, 14 November 1992.

"'Nice Piece': George Bures Miller's Conversation/Interrogation--Hopes for a Relevant Review"

Review

Harbour, Fall 1993, p. 65-68.

"Qualified Democratization: The Museum Audioguide Enlarging the Audience For Contemporary Art"

Essay

The Journal of Canadian Art History, Vol. XIV, no. 2, 1992, p.50-74.

"Bathroom Stories"
	Text
	In Mirjam Schaub, Janet Cardiff: The Walk Book, Art Contemporary and Public Art Fund, 2005, p. 255-256.

"The Social Role of Art: The peaceful co-existence of multiple subjective positions"
	Public tribune and illustrated lecture
	Mind the Gap, QUAM 2005 (Quinzena d'Art de Montesquiu - Forenight of Art of Montesquiu), Vic, Spain, July 16, 2005.

"How to Make Art in 2004"
	An illustrated lecture
	University of Manitoba, University of Lethbridge and Alberta College of Art and Design, November 2003- April 2004.

"Sunday Installation Artist Profile no. 2: Hannie's Anti-Ad Public-Address Installation"
	A fictional photo essay (photos: Paul Litherland)
	Anthony Kiendl (ed.), Obsession, Compulsion, Collection: On Objects, Display Culture, and Interpretation, The Banff Curatorial Institute, The Banff Centre Press, 2003, pp. 359-370.

"Designed Installations: A collection in progress"
	Panel discussion The Ephemeral Collection: Collecting the Immaterial Object* with Joan Borsa, Jamelie Hassan and Jens Hoffman*
	Obsession, Compulsion, Collection: A Symposium on Objects, Display Culture and Interpretation, The Banff International Curatorial Institute, May 6 to 10, 2003.

"Weekend Installation Artists Projects no. 148: Lucia's No-Logo Installation"
	A fictional photo essay (photos: Paul Litherland)
	en el lado de la television (In the Side of Television exhibition catalogue), Espai d'art contemporani de Castello, 2002, p. 149-153. (In Spanish, Catalan and English)

"Amazing, Powerful, Provocative... Pathetic, Disgusting, Waste: Diana Thorneycroft's Monstrance Town Hall Meeting"
	An interpretive resume of an open forum on controversial art works, with original drawings
	Dianna Thorneycroft: RE/Monstrance, St. Norbert Cultural Centre, 2001, p. 36 - 47.


"Methodology for Cultural Web Design (CDM)"
	Mini-workshop
	Museums and the Web 2001, Seattle, March 16, 2001.


"Web Application Design Methodology"
	Invited lecturer
	Design for Interactive Media, Concordia University, October 24, 2000.


"Thinking: Aesthetics, Architecture and Ambience"
	Panel Discussion "Interaction Effects ... Interaction Affects" with Jim Spadaccini, Peter Samis, Susie Wise and Franca Garzotto
	Museums and the Web 2000, Minneapolis, April 17, 2000.


"L'art actuel peut-il rejoindre le grand public?"
	Panel Discussion with M. Hakim, M.L. Arsenault, J.F. Blais, N. Reeves, H. Abdalian, V. Bellemare Brière and J. Mathieu (moderator)
	l'Art qui fait boum!, Marché Bonsecours, April 11, 2000.


"Ficto-criticism: Fantasy, Desire and the Everyday in the Practice of Writing Art"
	Panel Discussion with Bruce Grenville and Jeanne Randolph, Allyson Clay (moderator)
	University Art Association of Canada Annual Conference 1999, Ontario College of Art, November 5, 1999.


"The path of my Errant Criticism"
	Essay
	So To Speak, Artext, 1999.

"Donald Goodes, Dangerous Suburban Videos"
	Interview by Blair Marten
	Poolside, Fall, 1999, p. 37-39.

"In-situ: Panique au Faubourg"
	Short feature
	Canadian Art, Fall, 1997.

"Beyond Complacent Criticism"
	Public lecture & video screening
	University of Cincinnati, June 5, 1997.

"D to D and Back Again"
	Interview with Doug Sigurdson
	Cube, no. 2, March 1997, p. 4.

"Going to the Dogs"
	Exhibition review Les Contes de Fay, William Wegman
	The Globe & Mail, Saturday, February 8, 1997.

"Complacent Criticism"
	Critical Manifesto
	Still, no. 3, 1996, p. 1-3.

"Paradigm Lost: Downloading the Ethics of Technology"
	Review of the 1995 International Symposium on Electronic Art
	Border Crossings, vol. 15, no. 1, Winter 1996.

"Charcoal and Pearls"
	Exhibition Review: Nadine Norman and Regan Morris
	ETC Montreal, no. 32, December 1995-February 1996.

"Will the Gallery Never Go Away? Then Neither Will the Site-Specific: My Further Initiation into The Mainstream"
	Essay
	in Résidences 1982-1993: Chambres d'hôtel, la chambre blanche, 1995, p. 164-175.

"Infected Accommodation: The wedding of disease, normality and us"
	Analysis of installation by Mario Scattoloni (Co-authored with the artist)
	in Résidences 1982-1993: Chambres d'hôtel, la chambre blanche, 1995, p. 231-234.

"Project Access: Assessment and Analysis of the Dunlop's Gallery-Host Program"
	Research report
	The Dunlop Art Gallery, December, 1994, 46 pp.

"Comfort in Defense: Inadvertently Maintaining the Art-World Status Quo"
	Lecture with accompaniment by cellist Blair Lofgren
	Saskatchewan Art Education Symposium, Regina, October 29, 1994.

"Les Publics de l'art actuel: Vous autres? (une rencontre interactive)"
	Lecture and discussion
	Le Symposium de la jeune peinture, Baie-St-Paul, August 27, 1994.

"Taking Sides--Developing a Voice in Art Criticism"
	Illustrated lecture
	Dunlop Art Gallery, Regina, March 1, 1994.

In Hour Magazine, 1993:
	"Bringing the Dam Home"
	(Whapmogoostui: Grand Balaine, group show), February 4-10.
	"The Art of Pain Relief"
	(B. Burns, Analgesia), Feb. 6-10.
	"Rented Space"
	(Lyne Lapointe and Martha Fleming), Eat Me, Drink Me, Love Me, February 17-23.
	"Man of Flowers"
	(Mike MacDonald, Secret Flowers), March 4-10.
	"Displacements"
	(Indira Nair, En Transit), March 18-24.
	"Speaking of Art"
	(P. Lamarche and M. Vandersdal), March 25-31.
	"Sacred Art"
	(Theme: Montreal churches as installation art), April. 1-7.
	"Storefront Art"
	(D. Blatherwick, Figures Greffées and E. Simon, Rigor Mortis),April 15-21.
	"Anglo Art"
	(The Constitution of a Nation, group show) April 22-28.
	"Taking Up Space"
	(M. Scott, You More Than You and N. Tenaff, Fifties Product), May 13-19.
	"Beaus and Arrows"
	(J. Walton, Regarder sans voir and M. Fabijan, Translations, My Hat Has 3-Holes), May 20-26.
	"Urban Energy"
	(Robert Prenovault, Territoires simultanés), June 3-9.
	"If art were..."
	(1993 in review), December 23-January 5.

"Chambres d'hôtel"
	Exhibition review
	C Magazine, Summer 1993, p. 54-55.

"Looking For Justice: Not lying, but speaking the truth"
	Catalogue essay
	In Jeff Funnell: Notes From the Inquest, Southern Alberta Art Gallery, 1992, p. 7-15.