{"id":93,"count":33,"description":"<em>A Sense of Place on Earth<\/em> brings together a large body of works all related through my connection to the land.\r\n\r\nGrowing up on a farm, I developed a profound respect for the rhythms of nature, but as a teenager, I watched in horror as my father, like many others at the time, cut down trees and brutally straightened a meandering creek to make room for a few more rows of corn. The rural landscapes depicted in works like <em>Wordfield<\/em> represent this ambiguity.\r\n\r\nThe works in <em>A Sense of Place on Earth<\/em> simultaneously look inward and outward. The earliest works here depict the bond I felt with the night sky; as a kid I would spontaneously dance with the moon. This experiential connection between our bodies and celestial bodies continues in later works. In a series of text and landscape photographic works on paper the horizon line is presented as a reference point and balancing element for the body. Likewise, I connect similarities between growth within the body and the movement of the earth\u2019s tectonic plates with the statement: instability is the only stability. <em>Speed of Light<\/em> depicts the movement of the sun across my hand.\r\n\r\n<em>A Sense of Place on Earth<\/em> is also about locating myself, and the connections that can be made to a specific place. The exact geographic coordinates of one tree north of Montreal is the title of one of my photographic works; an elm tree, symbolic of art and the artist in society. <em>D\u2019eux<\/em> is a print in which I connect my identity to my adopted Qu\u00e9bec culture. The performative works I created in Deschambault and Barachois, Qu\u00e9bec, and northern Spain relate directly to these locations. Specific places are also the subject of <em>Water I<\/em> and <em>Water II<\/em> (Archipel-de-Mingan, Qu\u00e9bec), <em>Histoires de lumi\u00e8re<\/em> (Paris, France) and<em> Noeuds d\u2019\u00e9coute Listening Knots<\/em> (Bay of Fundy, New Brunswick). In these works, I observe myself observing and interacting with the world; they allowed me to connect to the land, the water, the light and the place.\r\n\r\nI left the country for the city, but it remains an integral part of my identity. Intertwined with my artistic project is the quest to find my north and what is home.\r\n<p class=\"aopa-text-extra-small\">Karen Trask in collaboration with Don Goodes, 2025<\/span>\r\n\r\n<p class=\"aopa-text-divider\">===<\/p>\r\n\r\n<!-- div class=\"taxo_subtitle\"&gt;Sentiment d\u2019appartenance \u00e0 la terre&lt;\/div -->\r\n\r\n<strong>\u00a0<\/strong>L\u2019\u0153uvre <em>Un sentiment d\u2019appartenance \u00e0 la terre<\/em> rassemble un grand nombre de cr\u00e9ations li\u00e9es \u00e0 mon rapport \u00e0 la terre.\r\n\r\nAyant grandi sur une ferme, j\u2019ai d\u00e9velopp\u00e9 un profond respect pour les rythmes de la nature, mais adolescente, j\u2019ai assist\u00e9 avec horreur \u00e0 la destruction de ce paysage. Mon p\u00e8re, comme bien d\u2019autres \u00e0 l\u2019\u00e9poque, a abattu des arbres et redress\u00e9 brutalement un ruisseau sinueux pour faire place \u00e0 quelques rang\u00e9es de ma\u00efs suppl\u00e9mentaires. Les paysages ruraux repr\u00e9sent\u00e9s dans des \u0153uvres comme <em>Wordfield<\/em> traduisent cette ambigu\u00eft\u00e9.\r\n\r\nLes \u0153uvres de l\u2019exposition <em>Un sentiment d\u2019appartenance \u00e0 la terre<\/em> sont \u00e0 la fois tourn\u00e9es vers l\u2019int\u00e9rieur et vers l\u2019ext\u00e9rieur. Les premi\u00e8res \u0153uvres refl\u00e8tent le lien que je ressentais avec le ciel nocturne \u2013 enfant, je dansais spontan\u00e9ment avec la lune. Ce lien exp\u00e9rimental entre notre corps et les corps c\u00e9lestes se poursuit dans mes \u0153uvres ult\u00e9rieures. Dans une s\u00e9rie de textes et de photographies de paysages sur papier, la ligne d\u2019horizon est pr\u00e9sent\u00e9e comme un point de r\u00e9f\u00e9rence et un \u00e9l\u00e9ment d\u2019\u00e9quilibre pour le corps. De m\u00eame, j\u2019associe les similitudes entre la croissance du corps et le mouvement des plaques tectoniques de la terre \u00e0 l\u2019affirmation suivante\u00a0: l\u2019instabilit\u00e9 est la seule stabilit\u00e9. <em>Speed of Light<\/em> illustre le mouvement du soleil sur ma main.\r\n\r\n<em>Un sentiment d\u2019appartenance \u00e0 la terre<\/em> parle aussi de ma qu\u00eate pour me situer et des liens qu\u2019on peut tisser avec un lieu pr\u00e9cis Les coordonn\u00e9es g\u00e9ographiques exactes d\u2019un arbre au nord de Montr\u00e9al sont le titre d\u2019une de mes \u0153uvres photographiques\u00a0: un orme, symbole de l\u2019art et de l\u2019artiste dans la soci\u00e9t\u00e9. <em>D\u2019eux<\/em> est une gravure dans laquelle je relie mon identit\u00e9 \u00e0 ma culture qu\u00e9b\u00e9coise adoptive. Les \u0153uvres performatives que j\u2019ai cr\u00e9\u00e9es \u00e0 Deschambault et \u00e0 Barachois, au Qu\u00e9bec, ainsi qu\u2019\u00e0 Ultzama, dans le nord de l\u2019Espagne, sont directement li\u00e9es \u00e0 ces lieux. Des lieux sp\u00e9cifiques font \u00e9galement l\u2019objet de <em>Water I<\/em> et <em>Water\u00a0II<\/em> (Archipel-de-Mingan, Qu\u00e9bec), <em>Histoires de lumi\u00e8re<\/em> (Paris, France) et <em>Noeuds d\u2019\u00e9coute Listening Knots<\/em> (Baie de Fundy, Nouveau-Brunswick). Dans ces \u0153uvres, je m\u2019observe en train d\u2019observer et d\u2019interagir avec le monde; elles m\u2019ont permis de me connecter \u00e0 la terre, \u00e0 l\u2019eau, \u00e0 la lumi\u00e8re et \u00e0 l\u2019endroit.\r\n\r\nJ\u2019ai quitt\u00e9 la campagne pour la ville, mais elle reste une part int\u00e9grante de mon identit\u00e9. Mon projet artistique s\u2019accompagne d\u2019une qu\u00eate de mon nord et de mon chez-moi.\r\n\r\n<p class=\"aopa-text-extra-small\">Traduction: M\u00e9lissa Guay<\/p>","link":"https:\/\/guz.ca\/aopa-karentrask\/awtheme\/sense-of-place-on-earth\/","name":"Sense of place on earth \u2013 Sentiment d\u2019appartenance \u00e0 la terre","slug":"sense-of-place-on-earth","taxonomy":"awtheme","parent":0,"meta":{"order":5},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sense of place on earth \u2013 Sentiment d\u2019appartenance \u00e0 la terre Archives - Karen Trask<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/guz.ca\/aopa-karentrask\/awtheme\/sense-of-place-on-earth\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sense of place on earth \u2013 Sentiment d\u2019appartenance \u00e0 la terre Archives - Karen Trask\" \/>\n<meta property=\"og:description\" content=\"A Sense of Place on Earth brings together a large body of works all related through my connection to the land. Growing up on a farm, I developed a profound respect for the rhythms of nature, but as a teenager, I watched in horror as my father, like many others at the time, cut down trees and brutally straightened a meandering creek to make room for a few more rows of corn. The rural landscapes depicted in works like Wordfield represent this ambiguity. The works in A Sense of Place on Earth simultaneously look inward and outward. The earliest works here depict the bond I felt with the night sky; as a kid I would spontaneously dance with the moon. This experiential connection between our bodies and celestial bodies continues in later works. In a series of text and landscape photographic works on paper the horizon line is presented as a reference point and balancing element for the body. Likewise, I connect similarities between growth within the body and the movement of the earth\u2019s tectonic plates with the statement: instability is the only stability. Speed of Light depicts the movement of the sun across my hand. A Sense of Place on Earth is also about locating myself, and the connections that can be made to a specific place. The exact geographic coordinates of one tree north of Montreal is the title of one of my photographic works; an elm tree, symbolic of art and the artist in society. D\u2019eux is a print in which I connect my identity to my adopted Qu\u00e9bec culture. The performative works I created in Deschambault and Barachois, Qu\u00e9bec, and northern Spain relate directly to these locations. Specific places are also the subject of Water I and Water II (Archipel-de-Mingan, Qu\u00e9bec), Histoires de lumi\u00e8re (Paris, France) and Noeuds d\u2019\u00e9coute Listening Knots (Bay of Fundy, New Brunswick). In these works, I observe myself observing and interacting with the world; they allowed me to connect to the land, the water, the light and the place. I left the country for the city, but it remains an integral part of my identity. Intertwined with my artistic project is the quest to find my north and what is home. Karen Trask in collaboration with Don Goodes, 2025 === \u00a0L\u2019\u0153uvre Un sentiment d\u2019appartenance \u00e0 la terre rassemble un grand nombre de cr\u00e9ations li\u00e9es \u00e0 mon rapport \u00e0 la terre. Ayant grandi sur une ferme, j\u2019ai d\u00e9velopp\u00e9 un profond respect pour les rythmes de la nature, mais adolescente, j\u2019ai assist\u00e9 avec horreur \u00e0 la destruction de ce paysage. Mon p\u00e8re, comme bien d\u2019autres \u00e0 l\u2019\u00e9poque, a abattu des arbres et redress\u00e9 brutalement un ruisseau sinueux pour faire place \u00e0 quelques rang\u00e9es de ma\u00efs suppl\u00e9mentaires. Les paysages ruraux repr\u00e9sent\u00e9s dans des \u0153uvres comme Wordfield traduisent cette ambigu\u00eft\u00e9. Les \u0153uvres de l\u2019exposition Un sentiment d\u2019appartenance \u00e0 la terre sont \u00e0 la fois tourn\u00e9es vers l\u2019int\u00e9rieur et vers l\u2019ext\u00e9rieur. Les premi\u00e8res \u0153uvres refl\u00e8tent le lien que je ressentais avec le ciel nocturne \u2013 enfant, je dansais spontan\u00e9ment avec la lune. Ce lien exp\u00e9rimental entre notre corps et les corps c\u00e9lestes se poursuit dans mes \u0153uvres ult\u00e9rieures. Dans une s\u00e9rie de textes et de photographies de paysages sur papier, la ligne d\u2019horizon est pr\u00e9sent\u00e9e comme un point de r\u00e9f\u00e9rence et un \u00e9l\u00e9ment d\u2019\u00e9quilibre pour le corps. De m\u00eame, j\u2019associe les similitudes entre la croissance du corps et le mouvement des plaques tectoniques de la terre \u00e0 l\u2019affirmation suivante\u00a0: l\u2019instabilit\u00e9 est la seule stabilit\u00e9. Speed of Light illustre le mouvement du soleil sur ma main. Un sentiment d\u2019appartenance \u00e0 la terre parle aussi de ma qu\u00eate pour me situer et des liens qu\u2019on peut tisser avec un lieu pr\u00e9cis Les coordonn\u00e9es g\u00e9ographiques exactes d\u2019un arbre au nord de Montr\u00e9al sont le titre d\u2019une de mes \u0153uvres photographiques\u00a0: un orme, symbole de l\u2019art et de l\u2019artiste dans la soci\u00e9t\u00e9. D\u2019eux est une gravure dans laquelle je relie mon identit\u00e9 \u00e0 ma culture qu\u00e9b\u00e9coise adoptive. Les \u0153uvres performatives que j\u2019ai cr\u00e9\u00e9es \u00e0 Deschambault et \u00e0 Barachois, au Qu\u00e9bec, ainsi qu\u2019\u00e0 Ultzama, dans le nord de l\u2019Espagne, sont directement li\u00e9es \u00e0 ces lieux. Des lieux sp\u00e9cifiques font \u00e9galement l\u2019objet de Water I et Water\u00a0II (Archipel-de-Mingan, Qu\u00e9bec), Histoires de lumi\u00e8re (Paris, France) et Noeuds d\u2019\u00e9coute Listening Knots (Baie de Fundy, Nouveau-Brunswick). Dans ces \u0153uvres, je m\u2019observe en train d\u2019observer et d\u2019interagir avec le monde; elles m\u2019ont permis de me connecter \u00e0 la terre, \u00e0 l\u2019eau, \u00e0 la lumi\u00e8re et \u00e0 l\u2019endroit. J\u2019ai quitt\u00e9 la campagne pour la ville, mais elle reste une part int\u00e9grante de mon identit\u00e9. Mon projet artistique s\u2019accompagne d\u2019une qu\u00eate de mon nord et de mon chez-moi. Traduction: M\u00e9lissa Guay\" \/>\n<meta property=\"og:url\" content=\"https:\/\/guz.ca\/aopa-karentrask\/awtheme\/sense-of-place-on-earth\/\" \/>\n<meta property=\"og:site_name\" content=\"Karen Trask\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"CollectionPage\",\"@id\":\"https:\\\/\\\/guz.ca\\\/aopa-karentrask\\\/awtheme\\\/sense-of-place-on-earth\\\/\",\"url\":\"https:\\\/\\\/guz.ca\\\/aopa-karentrask\\\/awtheme\\\/sense-of-place-on-earth\\\/\",\"name\":\"Sense of place on earth \u2013 Sentiment d\u2019appartenance \u00e0 la terre Archives - Karen Trask\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/guz.ca\\\/aopa-karentrask\\\/#website\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/guz.ca\\\/aopa-karentrask\\\/awtheme\\\/sense-of-place-on-earth\\\/#breadcrumb\"},\"inLanguage\":\"en-US\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/guz.ca\\\/aopa-karentrask\\\/awtheme\\\/sense-of-place-on-earth\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/guz.ca\\\/aopa-karentrask\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Sense of place on earth \u2013 Sentiment d\u2019appartenance \u00e0 la terre\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/guz.ca\\\/aopa-karentrask\\\/#website\",\"url\":\"https:\\\/\\\/guz.ca\\\/aopa-karentrask\\\/\",\"name\":\"Karen Trask\",\"description\":\"Official Artist Site\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/guz.ca\\\/aopa-karentrask\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Sense of place on earth \u2013 Sentiment d\u2019appartenance \u00e0 la terre Archives - Karen Trask","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/guz.ca\/aopa-karentrask\/awtheme\/sense-of-place-on-earth\/","og_locale":"en_US","og_type":"article","og_title":"Sense of place on earth \u2013 Sentiment d\u2019appartenance \u00e0 la terre Archives - Karen Trask","og_description":"A Sense of Place on Earth brings together a large body of works all related through my connection to the land. Growing up on a farm, I developed a profound respect for the rhythms of nature, but as a teenager, I watched in horror as my father, like many others at the time, cut down trees and brutally straightened a meandering creek to make room for a few more rows of corn. The rural landscapes depicted in works like Wordfield represent this ambiguity. The works in A Sense of Place on Earth simultaneously look inward and outward. The earliest works here depict the bond I felt with the night sky; as a kid I would spontaneously dance with the moon. This experiential connection between our bodies and celestial bodies continues in later works. In a series of text and landscape photographic works on paper the horizon line is presented as a reference point and balancing element for the body. Likewise, I connect similarities between growth within the body and the movement of the earth\u2019s tectonic plates with the statement: instability is the only stability. Speed of Light depicts the movement of the sun across my hand. A Sense of Place on Earth is also about locating myself, and the connections that can be made to a specific place. The exact geographic coordinates of one tree north of Montreal is the title of one of my photographic works; an elm tree, symbolic of art and the artist in society. D\u2019eux is a print in which I connect my identity to my adopted Qu\u00e9bec culture. The performative works I created in Deschambault and Barachois, Qu\u00e9bec, and northern Spain relate directly to these locations. Specific places are also the subject of Water I and Water II (Archipel-de-Mingan, Qu\u00e9bec), Histoires de lumi\u00e8re (Paris, France) and Noeuds d\u2019\u00e9coute Listening Knots (Bay of Fundy, New Brunswick). In these works, I observe myself observing and interacting with the world; they allowed me to connect to the land, the water, the light and the place. I left the country for the city, but it remains an integral part of my identity. Intertwined with my artistic project is the quest to find my north and what is home. Karen Trask in collaboration with Don Goodes, 2025 === \u00a0L\u2019\u0153uvre Un sentiment d\u2019appartenance \u00e0 la terre rassemble un grand nombre de cr\u00e9ations li\u00e9es \u00e0 mon rapport \u00e0 la terre. Ayant grandi sur une ferme, j\u2019ai d\u00e9velopp\u00e9 un profond respect pour les rythmes de la nature, mais adolescente, j\u2019ai assist\u00e9 avec horreur \u00e0 la destruction de ce paysage. Mon p\u00e8re, comme bien d\u2019autres \u00e0 l\u2019\u00e9poque, a abattu des arbres et redress\u00e9 brutalement un ruisseau sinueux pour faire place \u00e0 quelques rang\u00e9es de ma\u00efs suppl\u00e9mentaires. Les paysages ruraux repr\u00e9sent\u00e9s dans des \u0153uvres comme Wordfield traduisent cette ambigu\u00eft\u00e9. Les \u0153uvres de l\u2019exposition Un sentiment d\u2019appartenance \u00e0 la terre sont \u00e0 la fois tourn\u00e9es vers l\u2019int\u00e9rieur et vers l\u2019ext\u00e9rieur. Les premi\u00e8res \u0153uvres refl\u00e8tent le lien que je ressentais avec le ciel nocturne \u2013 enfant, je dansais spontan\u00e9ment avec la lune. Ce lien exp\u00e9rimental entre notre corps et les corps c\u00e9lestes se poursuit dans mes \u0153uvres ult\u00e9rieures. Dans une s\u00e9rie de textes et de photographies de paysages sur papier, la ligne d\u2019horizon est pr\u00e9sent\u00e9e comme un point de r\u00e9f\u00e9rence et un \u00e9l\u00e9ment d\u2019\u00e9quilibre pour le corps. De m\u00eame, j\u2019associe les similitudes entre la croissance du corps et le mouvement des plaques tectoniques de la terre \u00e0 l\u2019affirmation suivante\u00a0: l\u2019instabilit\u00e9 est la seule stabilit\u00e9. Speed of Light illustre le mouvement du soleil sur ma main. Un sentiment d\u2019appartenance \u00e0 la terre parle aussi de ma qu\u00eate pour me situer et des liens qu\u2019on peut tisser avec un lieu pr\u00e9cis Les coordonn\u00e9es g\u00e9ographiques exactes d\u2019un arbre au nord de Montr\u00e9al sont le titre d\u2019une de mes \u0153uvres photographiques\u00a0: un orme, symbole de l\u2019art et de l\u2019artiste dans la soci\u00e9t\u00e9. D\u2019eux est une gravure dans laquelle je relie mon identit\u00e9 \u00e0 ma culture qu\u00e9b\u00e9coise adoptive. Les \u0153uvres performatives que j\u2019ai cr\u00e9\u00e9es \u00e0 Deschambault et \u00e0 Barachois, au Qu\u00e9bec, ainsi qu\u2019\u00e0 Ultzama, dans le nord de l\u2019Espagne, sont directement li\u00e9es \u00e0 ces lieux. Des lieux sp\u00e9cifiques font \u00e9galement l\u2019objet de Water I et Water\u00a0II (Archipel-de-Mingan, Qu\u00e9bec), Histoires de lumi\u00e8re (Paris, France) et Noeuds d\u2019\u00e9coute Listening Knots (Baie de Fundy, Nouveau-Brunswick). Dans ces \u0153uvres, je m\u2019observe en train d\u2019observer et d\u2019interagir avec le monde; elles m\u2019ont permis de me connecter \u00e0 la terre, \u00e0 l\u2019eau, \u00e0 la lumi\u00e8re et \u00e0 l\u2019endroit. J\u2019ai quitt\u00e9 la campagne pour la ville, mais elle reste une part int\u00e9grante de mon identit\u00e9. Mon projet artistique s\u2019accompagne d\u2019une qu\u00eate de mon nord et de mon chez-moi. Traduction: M\u00e9lissa Guay","og_url":"https:\/\/guz.ca\/aopa-karentrask\/awtheme\/sense-of-place-on-earth\/","og_site_name":"Karen Trask","twitter_card":"summary_large_image","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"CollectionPage","@id":"https:\/\/guz.ca\/aopa-karentrask\/awtheme\/sense-of-place-on-earth\/","url":"https:\/\/guz.ca\/aopa-karentrask\/awtheme\/sense-of-place-on-earth\/","name":"Sense of place on earth \u2013 Sentiment d\u2019appartenance \u00e0 la terre Archives - Karen Trask","isPartOf":{"@id":"https:\/\/guz.ca\/aopa-karentrask\/#website"},"breadcrumb":{"@id":"https:\/\/guz.ca\/aopa-karentrask\/awtheme\/sense-of-place-on-earth\/#breadcrumb"},"inLanguage":"en-US"},{"@type":"BreadcrumbList","@id":"https:\/\/guz.ca\/aopa-karentrask\/awtheme\/sense-of-place-on-earth\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/guz.ca\/aopa-karentrask\/"},{"@type":"ListItem","position":2,"name":"Sense of place on earth \u2013 Sentiment d\u2019appartenance \u00e0 la terre"}]},{"@type":"WebSite","@id":"https:\/\/guz.ca\/aopa-karentrask\/#website","url":"https:\/\/guz.ca\/aopa-karentrask\/","name":"Karen Trask","description":"Official Artist Site","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/guz.ca\/aopa-karentrask\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"}]}},"_links":{"self":[{"href":"https:\/\/guz.ca\/aopa-karentrask\/wp-json\/wp\/v2\/awtheme\/93","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/guz.ca\/aopa-karentrask\/wp-json\/wp\/v2\/awtheme"}],"about":[{"href":"https:\/\/guz.ca\/aopa-karentrask\/wp-json\/wp\/v2\/taxonomies\/awtheme"}],"wp:post_type":[{"href":"https:\/\/guz.ca\/aopa-karentrask\/wp-json\/wp\/v2\/series?awtheme=93"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}